SusanButler

My field is covered in stones. The earth is hard

and flowers will not bloom.

We checked the grapes on the arbor, the heavy globes ripening golden.

One evening, my father and I ate fat tomatoes right from the garden

held like apples in our hands.

We had been digging stones from the field all day

and clearing brush from the woods to burn under the bright autumn sky.

It was a different world then in an autumn like the burning sun.

I’d like to know

how it feels for my tongue to say:

This is my brother

This is my sister

how it would feel

for my heart to know

I’m not left behind.

Where the earth is hard and flowers will not bloom

I have many loves to tend,

but two of the graves are so very small  

and it has always been only me

left here, alone.

© Susan Butler

La lune d’août rêve de fleurs lourdes parfumées et d’oiseaux vivement colorés,

de plages exotiques et de jardins d’émeraude éclairés par sa lumière.

Elle rêve de papillons de nuit avec ailes douces qui sont bien baignées au clair de lune.

C’est une symphonie de fragilité, de la vie et ce qui repose en dessous, son contraire.

La lune d’octobre rêve de chauves-souris légères et de trous noirs du temps,

de la chute des feuilles teintées de rouge mordant mais de nuit ont l’air de  fantômes argentés.

Elle rêve de nos mondes distincts qui meurent et se réincarnent de la terre fertile au clair de lune.

C’est une symphonie de ruine, de la vie et ce qui pourrait la surpasser, nos envies hantées.

Dans le noir j’ai rencontré un homme puissant qui ne rêvait jamais, jamais.

Le cœur était mécontent, vide d’amour et figée au moment de colère.

C’est le cauchemar qui rôde dehors, la mort qui nous noierait au clair de lune.

C'est voleur de l’esprit à l’âme creuse, lui, aussi mortel qu'une nuit polaire.

Je rêve de ce qui n’a jamais été et je rêve de ce qui ne sera jamais.

Je rêve qu’il m’aimait comme il m’a dit qu’il m’aimait, et je rêve de comment ce serait d’être aimée.    

Ma chère lune qui rêve des beaux rêves la nuit, je rêve tout autant que toi,

moi, une femme qui dans mes rêves se noie.

© Susan Butler

You left many ghosts

in my care.

You left the ghost of

your voice, your

rage the thunder in my ears

that shakes me unexpectedly in the dark.

Your ghost comes out of my mouth

when I speak of myself.

Freak, you say, Failure;

those names like hexes you spoke at me,

always threatening something more.

You left many marks

engraved in my skin, still etched

on what is left of me, on what I haven’t yet peeled away

to erase your touch, your every touch, your marks

the ghosts of fangs

and venom.

You left ghosts of your hands,

bruised the throat of my hope

where you strangled it, wrung it

dry;

your handprints remain

where you twisted my goals into grievances.

You left one of your ghosts

in the corner,

in the space where I always hid from you

until the day you found me.

This ghost stands there still, still and hot,

all eyes,

the way you stood over me like a disobeyed god.

Your boot prints appear and disappear, laden ghosts

crushing down my bones

to unimportant grime beneath your weight, your weight

somehow less heavy

than the fear tightly packed inside my chest.

You left many ghosts

in my care.

But these ghosts of you

are only half of what you were,

lesser,

only your echoes, your aftermath, the nightmare

of you,

not you,

and this is my relief.

Ghosts of You first published in The Horror Zine January 2020

© Susan Butler

I

Dawn begins on my skin, sweet anticipation of light.

The earth turns, the light proceeds.  Sun, a shiver of mourning.

Sorrow for the loss of peaceful night, my bones weigh heavy.

"Dawn always begins in the bones."  Hymn to Ra, The Egyptian Book of the Dead

II

We laugh over childhood adventures.  Our treasure was living free,

just living, unconcerned with life, unaware of mortality.

Remembering when, by his grave, we were immortals.

III

The hard weight of my thoughts dissolves, now light shines, life clear as fresh rain;

each leaf and bud enunciates, a gleam, each stone in high relief.

This day of despair washed clean, there comes my son walking home.

Three Sijo first published in Lynx XVIII: 1  February 2003

Thank you to the late Jane Reichhold, with love and gratitude.

© Susan Butler 

From a distant life,

from a thousand miles away,

I recall the innocence of your hands.

I remember the way you held onto me as if to keep from falling away,

the way you reached out for me as if to save yourself from drowning.

This is all I have saved of an innocence when I did not know

your feral malice would sear me into cinders of bone, one day

your fingers would stretch and ache to choke like tendrils of seaweed.

In silence I was nearly tangible

but as I spoke, you alone became immuring stone.

I recall the sharp rage of your hands; born

to tear the voice from my throat, to bury me, snuff me

still, so I,

I dissipate into air, ash, autumn sky.

        life slips into the air - blades of yellow leaves rain through slips of perilous sun

        someone sleeps on the ground - something slips from my hands 

        breath escapes, never caught again - you did this

Soon only one of us will drown in thin air and still

love is not war no matter how bloody you make it.

Into Thin Air first published in Ink in Thirds Issue 9, February 2017

© Susan Butler

wet black ink

crows haunt the blood forest

before

a bone moon

© Susan Butler